September Revision Update #2

Tonight I sat down and finished going through Chapter Six with a pencil. I cut two and a half pages involving the "leaf subplot" that I'm trying to remove, but I don't know if this is just going to screw everything up in the end.

I don't think I have the hang of "edit for content first before doing any line editing, because what you fine-tune might not even be there later". I want to make it all better, while doing the content at the same time -- multi-tasking. Hey, maybe I can do it this way.

I'm going to be rewriting one page to make the characters active rather than reactive, and I've changed some of their attitudes towards the little things to make Saera (I hope) more likeable.

Dialogue has been chopped so interjections that don't really add anything don't slow it down.

At some point I'm going to have to make reference to the two horses they just casually left behind at the stables.

It looks to me like this draft will be the "cutting and clarification draft", where the next one will be the "deepen (add) and line-edit draft".
______________________________

I hate maths, but I love using numbers to predict when a project is going to be finished. If I do a chapter a week from now, this draft would be finished about halfway through December. That means I really want to be doing more like 3 chapters a week, so I have time to go through that next draft and read it a few times before releasing it around Christmas.

I can't wait for that moment when I transfer the book to a .mobi file and read it in that other form -- the form in which it will be read by others.

Is this rushing it? I don't know, but I need to get it out there.

I need to get it out there.
_______

UPDATE: I've now edited the digital document, and have trimmed the chapter of an estimated 1,000 words after taking into account the few paragraphs and the  transition that I still have to write.

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September Revision Update

Hi!

I've been very busy lately with Uni assessments, but I've come back to revisions now and am currently halfway through Chapter Six. I'd love to release the book around Christmas time, but I can't be sure if that's going to happen.

To make up for the words I'm cutting with these revisions, I'm considering how I can work in this love interest subplot that was originally going to be in the book, but I cut it short. Anything that can add to the length and depth at the same time would be much appreciated.

In Other Life News
Apart from studying (an Advanced Diploma of Music), I've released a single called "That Silence" on iTunes for 99c and Bandcamp for 20c. I'm currently writing and recording an EP.

I've been building my Twitter followers for my music @RyanLeeSulMusic. I'm working up a setlist of covers and original songs that I'll use for gigs and busking.

I've moved out of home, now renting a place with two housemates that's a 20 minute tram ride to Uni.

Being about 10 months since I've had a French class (after finishing Year 12), I've been thinking lately that I really don't want to forget what I know. So I bought a self-published Kindle book called Andéhir: la prophétie, the first of two French fantasy books for 11 - 13-year-olds. I don't understand every word, but I do understand what's happening in each scene, the general flow of action, and most of what's being said between the characters. A friend made the point that even if I don't understand all of it, reading it is probably helping me avoid forgetting what I already know. Now if only I could use a French-English dictionary within my Kindle app!

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Revising: And THAT is how you turn 4,500 words into 2,250

Subtitle: Chapter Two Sucked

Phew! I need a beer.

Okay, it wasn't all bad. I think I managed to make something engaging and exciting while hinting at a couple of cool things as well that weren't there in the first draft. The scene with Eoin, Saera and Faine in the cart is much more tense, hopefully. I finally got rid of that weird conversation. I don't think people have conversations like that.

Thankfully, my longest chapter is now out of the way. I think I worked on it for 6 hours straight! Minus the time it took me to get Macca's in between. And I'd been so good with my eating this week!

Now getting a beer.

Mmm.

I've also gotten rid of that horrid "fortifying the leaf" scene with alchemist, and I've begun unweaving the leaf thing from the story entirely. I just didn't find it convincing enough. I might always use the concept in another Chronicle.

So here's what the first page looked like:

























And here's what one of the late pages looked like:

























And here's what pretty much every other page looked like:

























And the sad thing is I'm telling the truth. One of the pages had just one word changed. In the case of the one above, it sucked so much that I got rid of the whole thing. What an awkward, painfully long scene.

Yeah, Eoin, you should feel awkward. Who does this? Weirdo.

I invite you to read all the pages shown here.

2,250 words is on the shorter side for me, but it's above my minimum 2,000 words. I have no doubt at all that this is much stronger chapter. I look forward to reading it to see how it flows. It might go too quickly from early morning to night-time, but hopefully that's something I can easily fix on a later read-through.

I really hope the rest of the chapters don't turn out like this. If I cut 50% of every chapter, I won't have any book left. GASP FACE!

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Revising: Chapter One rewritten

I'll probably continue to be rather inactive while I work through revisions, but I'll keep you updated as I move through the chapters.

Through the last several chapters of the first draft, Chapter One was going to be completely rewritten, but I wouldn't allow myself to work on it until the first draft was completely done.

Now Chapter One's finished, and I like it a lot more than the original version.

From here on in it shouldn't be too hard to delete scenes, change details and rewrite parts of scenes as needed. I'd like to get through four to six chapters every week while I'm focusing on just the content.

See you soon!

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First draft officially finished!: Revisiting "The Editing Process"

As of last night, I've officially finished the first draft of Aundes Aura.

I still have some things to do before I start the real revisions; I have to rewrite the first chapter with my new vision for the beginning.

Time to copy my file and save it as "draft one", rename this one "draft two" and get to work.
______________________________

Disclaimer: The following process was suggested by Marie over at Critique Circle.

Once your novel's first draft is complete, it is essential that you revise it if you want to [give readers a good impression and improve your chances of selling].


1.
Edit for storyline. This is the round where you go through and make sure the plot makes sense and follows through the story. That the subplots wrap up. That you haven't forgotten, lost or dropped anything while working your way through the book. Make as many passes as needed to fix any and all plot issues and oopsies.

2.
Edit for character. Everything from behaviour to appearance. Make sure names are spelled consistently throughout the book. Also, make sure that characters don't mysteriously vanish without concluding their plotline or even more mysteriously reappear after death.

[Yes, I have a vanishing character. I either have to take her out or include her more.]

3.
Edit for description. By now things should be getting better, but make sure that you are describing things effectively, using all five senses. Also, this is a good time to make sure physical items don't unexpectedly change colour, shape or location.

4.
Edit for genre elements. For fantasy you might double check on world building. Since you've already done three passes through the novel, things really should be fairly solid but this gives you one more chance to spot a problem.

[I think I'll be cleaning up all the intricacies of what's really going on between the Gods, the Naeveri and the characters, and how all the complicated events are linked.]

5.
Edit for grammar, punctuation and spelling. By now you should be able to run through and focus just on the clean up details. If you spot other problems, back up and give the earlier steps another pass. Don't rush things. You're not ready for the polishing up unless you've already fixed the plot. Take your time.

Repeat as needed.

Buy this book if you want to sell yours (it's not my book)

Building an Author Platform That Can Launch Anything: a Social Media Minibook


This concise ebook . . . oh, just read the reviews. All 14 of them are 5 stars. You want to buy this book. It's usually 99c. It's currently free.
(This isn't my book.)

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I need more carrots!


When I'm this close to the end, there's no reason I shouldn't be writing. Every hundred words is a weight off my shoulders.

So I bought chocolate. My favourite: Caramello Koalas. Yeah, two of them. And I'm going to eat them. Not yet, though. 100 words will earn me a Caramello. Yum! Actually, let's make that 150 words. I'm sure I can manage that.

If I follow that, it'll put me over 68,000 words in the first draft, and not much left at all until the end.

Although I'm having thoughts about an epilogue. I think it might be necessary for a proper denouement. Because there's a way I'd like to finish it, but that doesn't clearly tie up a lot of loose ends. What happens to them afterwards, like, just afterwards? Like, a week later?

There's an ending, and then there's a satisfying conclusion. I don't want just an ending. If I were to end it without that final part, I imagine I'd end up with something that feels like "he woke up and it was all a dream".

I don't think it'll be a long epilogue. Partly because I want to get it finished; partly because it won't need to be a long epilogue.

Also, just now I've been thinking about writing a short story before or while working on Maechre Aura, so I have something I can sell in between the two novels and keep that "push" going, if you know what I mean. I might discuss that in a couple of days.

For now, writing time. See you soon!
__________________________

Edit: I didn't end up writing just 300 words. I got a whopping 472 -- pretty good since I wasn't going to write at all. And best of all, I haven't even eaten either of my Caramello Koalas. I think I'll eat them now as a reward for my efforts. Yum!

A Look Back: Influence

I believe that my writing style is affected by every different fiction author whose books I read. It's affected even more so by fantasy writers, which isn't surprising because the main genre I read and write is fantasy. In Grade One, when I was seven years old and writing stories that lasted anywhere up to 100 words, I had no particular influences. The stories I wrote were generally accounts of true events hidden (very badly) behind a creative guise.
I don't remember where all the magic in my stories came from. Maybe films and cartoons, or fairytales. But when I wrote my first "longer" story (A Whole New World, or something very similar), it seemed set in stone the kinds of stories I would be writing.

I must have started reading Harry Potter in Grade Two because that's when I wrote "A Magical World", a hilariously bad rip-off of the idea of Harry Potter, with matching 8-year-old style writing. At least it had a unique plot. I was still about nine years off being ready to attack something of Harry Potter's relative grandeur.
So when I was 8 and 9 years old, my biggest influence was J. K. Rowling. 
At 9 years old I started including ideas related to my sudden interest in language and worlds hidden within our own. Somewhere between 9 and 10 years old I tried to rewrite A Magical World. It was still terrible and I didn't quite finish it.
Fast forward to 11 and 12 years old, and I was influenced by Pirates of the Caribbean, and my friend and I co-wrote 3/4 of a story called British Pirate before we burnt out and didn't finish it.
I don't recall writing anything at 13, but at 14 and 15 I was working on Until They Unite, which wasn't terrible, but wasn't particularly good either. That seems to have been influenced by Emily Rodda's series Deltora Quest (which I read when I was about 8 or 9), what with the travelling and collecting  special items of power. I didn't finish Until They Unite, either.
Then it was this, Aundes Aura. The plot is influenced by nothing other than my imagination ad my ideas. But everything's influenced by something, right? Well, yeah, but now that influence is tucked away in the past. I burnt out all my copying until I finally had something truly of my own to work with.
And this is where I stop looking at the influences on what I write, but how I write. This is where I stop looking at plot and start looking at style, because that's where the influences have been in my writing of late. I think I was still writing Until They Unite when my friend was flicking through my copy of Eragon and said, "You write like him." I was humbled, as Eragon was what I was reading at the time. I've spent the course of Aundes Aura refining my style and phasing out elements that were holding it back.
The next influence on my style, I would like to believe, is George R. R. Martin with A Song of Ice and Fire. I've read the first book and am halfway through the second. I think the witty and well-written dialogue, dealings with the intricate plot, portrayal of characters, depiction of scenes and the breadth of the world all really stand out in this series, and these skills are what I aspire to, but in a more compact way. Maybe one day I'll be able to write longer works like his, but I'm not at that stage yet, and I'm content with my full-length novel, if not the typical length for fantasy, let alone high/epic fantasy.
The last influence I want to talk about is purely stylistic, and I think an interesting one. It's also the one that inspired me today to write this post, after this little feature cropped up in my writing again.
It's also interesting because Beowulf was a set text for Literature in Year 12, not one of my books for leisure. In Middle English, or whatever period it was originally written in, the verses didn't rhyme at the end of the lines like many do today. The lines were alliterated.
Every now and again when I'm writing, an alliteration springs forth and I have to stop and think . . . can I actually do that? Of course I can. Why not? Of course, when I revisit them in my readings, I'll have to decide whether they work or not. But for now they're not really doing any harm. Here's the example that inspired this post.


He filtered his memories over the sights before him. Black bark turned brown, bare branches burst full of autumn leaves.


So what books and authors have influenced your writing?

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Holidays, needy writers, trying to get it finished and tablets

I'm on holidays now. (That's vacation for you Americans.) I've said many times in the past how my writing would benefit from a break from studies. Don't believe these lies. Holidays lull you into a false sense of security. They tell you you'll have all this time to write, but really you won't -- unless you make it happen.
That's where my problem often lies. I'm really bad at making things happen. One of those things is writing. If I were to write whenever I felt like it, I'd never write because as much as I love having written, writing isn't easy.
I hate it when people say, "The only reason you should be writing is that you can't not write." Because that's totally not true. Writing is more than a need. It's an ambition. Footballers don't play football because they can't not play football. They do it because they want to, becuse they love it, or because they want to get somewhere with it.
I'm not a needy writer, I'm an ambitious writer. I've spent two years writing this book not because I need to, but because I want to. It's a journey that I want to see to the end.
April is just about to begin, and with only two chapters left to write, I want to see this book finished and edited in the next two weeks, while I've got this break.
I've moved the release date back from Q1 to Q2 2012. No one should ever realease a rushed product. But is that what I'm doing? I don't know, I'm just doing what feels right.

______________________________


Yesterday I bought an Asus EEE Pad Transformer. Look it up, I just typed this whole post on it. 
(If you consider getting one, make sure you get the one with the keyboard dock.)
I'm very excited because now I can work on my manuscript on the 1.5 hour train trips to and from Uni four days a week (3 hours a day, 12 hours a week). It also has enough battery power to last those 3 hours a day and more. Something my laptop was never capable of. (It lasts about 5 minutes unplugged.)
I'm using Dropbox to sync between my tablet and computer, since I was already using it to sync between my laptop and computer. It didn't work at all using the pre-installed Polaris Office, but I spent the $19.99 to buy Quick Office and it synced with my computers straight away. I suspect I'll have to reformat my manuscript in Word when I get home, but what's that when I can be writing all the time?
Now I'm off to write, and we'll see how Quick Office fares with the formatting.

Print Preview: Formatting for CreateSpace 3. Font Choice, Font Size, Line Spacing and Sparkle

So forgetting my mysterious and untimely disappearance, here's where we left off.


You may notice that I've decided to replace the Author Bio with the "other titles by this author" list. The title page should stay on the same page as before.

Now we get to make this baby look like a book!

Go to each of your chapter titles and make them 36pt. Garamond. Also centre them and check that they don't have any automated indents (which you would see in the ruler at the top of the screen).





To get the spacing to look like the one in Chapter Two, click at the end of the chapter title and then press Enter. If there are extra spaces or blank lines, hit delete until the first line begins at your new position.



Now select the main body text chapter by chapter, and do these things:
1. Ensure that the text is "justified". To do this, you might want to click align left, and then click justify again. The buttons are found above the "paragraph" tab.
2. Now select the whole document (ctrl-A). Click on the little box on the right side of the "paragraph" tab and fill out the information to look like this:
(you shouldn't have to change much)


3. Check for areas you wanted spaces that may have been removed when you checked "don't add spaces between paragraphs of the same style", which is a totally useless way of saying "don't add spaces between paragraphs automatically".




4. Select each chapter's individual body of text (in other words, don't select the chapter titles) and make 11pt. Garamond. You can do them one at a time, or you can select multiple bodies of text by holding ctrl.

5. While that text is still selected, go to the ruler at the top of the page and move the top slider to where I've positioned it. (You may want more or less indent than I've given.)


6. Click within the first paragraph of each chapter and remove the indent by moving the slider we just moved back to it's neutral position.



7. Check the last paragraph of every chapter. Sometimes the last line has only two words spaced out evenly across the line. My only solution for this is unfortunately to make that one paragraph aligned left.

8. If your headers are looking cramped like this:


Click inside the headers, put your cursor at the end of the title, name or number (whichever is farthest to the right) and press Enter.



9. While you're there, check that your headers and page numbers are also in Garamond. Make the page numbers 11pt and the name and title 10pt in all caps.

Ahh, this is all looking very nice. But wait, something is amiss!


Why are there extra spaces on the first page?

Press ctrl A to select your entire document. Now go to the "paragraph" menu and click the "lines and breaks" tab.

Make sure "widow/orphan control" is deselected as shown below.


Which will make your lines look like this:



Yay! Much neater. And much more bookier . . . ier.

Nearly done. Now it's time for . . .

SPARKLE!

Select the first letter of every first paragraph of every chapter of the book . . . of . . . of . . .
And under Insert, select "Drop Cap" > "Dropped" from the right side of the ribbon.


______________________________

That's it, that's all the pearls of wisdom I have to offer. Hopefully by now you know the system well enough to make your own decisions about how you want to format your work, but I think what I've given you is a nice, clean, pleasing format if that's all you want.

If you've followed this, you should now have a fully formatted book.

This concludes the Print Preview series on formatting for CreateSpace.

I covered a lot here and throughout the series, so if anything wasn't clear enough, please leave a comment so I can help.

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Print Preview: Formatting for CreateSpace 2. Front Matter, Section Breaks, Headers and Page Numbers

Order of Front Matter

To form my front matter I'm going to take my example from my copy of A Game of Thrones.

(Note that when you view two pages together in Word, the right pages are on the left and the left pages are on the right -- this is opposite to a book because when you open a book, the first page is on the right.)

Don't start creating the front matter pages until you've read up to the end of the third paragraph after this list to make your life a little easier.

The order goes thus:

1. Author Bio or Commendations - will be on the right side in the physical copy
(1.) (Alternatively, you might like to put the "by the same author" page here instead)

2. by the same author (could also be a blank page) - left side

3. Title Page - right side

4. Copyright - left side

5. Dedication or Quote - right side

6. Map pt. 1 (or could be blank)

7. Map pt. 2

8. Blank page
__________

9. Start Chapter One

Hopefully you understand the above well enough to form your front matter to suit your book (if you don't, let me know and I will clarify and edit this post with the clarification), but try to closely imitate the presentation of a traditionally published book.

As far as the copyright pages and all, apart from actually acquiring copyright, which I know nothing about, again, try to imitate what you see in a traditionally published book.

Before you create all the above, you need to know about Section Breaks. What's a Section Break? No one cares, all we care about is what they do. They are related to the presentation of page numbers and headers so it's important that you get it right.

Section Breaks

Section breaks will allow you to withold the header, footer and page number on the first page of every "section", and to have different odd and even pages (author name on one side, book title on the other).

Monkey see, monkey do. Be the monkey.

I'm using justified 11pt Garamond as my main text. Please don't use Times New Roman, as it's never used in traditionally published books (and remember to select the text position "justify"). Garamond is used in Harry Potter. You can do a Google search for fonts used in books.

Here is your awesome Author Bio on the first page:














(My "About the Author" is 20pt if you're interested)

Now select Page Layout > Breaks > Next Page














And when you click that, your page should look like this:














Now type in your stuff for this page, or if you want to leave it blank, just click "Next Page" again and type in the stuff for the next page . . . and then hit "Next Page" again, and continue until you've reached your Chapter One page.

. . .
. . .
. . .

Phew! That took a while! Here's what mine looks like at a glance.














For this next bit I suggest you paste in your first two chapters. This will help you see what's changing as you make these alterations. Please save your document right now because this can get pretty dicey.

Headers

Please just ignore my double-spaced Times New Roman font for now. That's incredibly easy to change. You want to get your headers and page numbers right.

Go to your Chapter One page and double click in the space at the top of the page to make the header menu appear.














Under the Design menu which is now open, tick "Different First page" and "Different Odd and Even pages".

Now select the header of the next page and go into Insert > Header > Blank (Three Columns)














Select the centre and type in your author name. This should apply to every second header following. This should be in your "even page header", and it should say which header it is below it.

Now select the adjacent "Odd Page Header" and enter the same three column header using the same method as before.

Insert > Header > Blank (Three Columns)

Page Numbers

Now click your way onto an even-numbered page. Even page numbers must always be on the left (that is, in the published copy), so check this afterwards.

Select the left column in the even-numbered header and then select Insert > Page Number > Current Position > Plain Number

Delete the other [Type text] box and it should look like this:

Now select the Odd Page Header, select the right text box and repeat the process.

You've nearly finished with the trickiest bit of the whole process!

You'll notice that Chapter One and none of the front matter have headers on them, which is exactly what we want. This is thanks to all the "next page" breaks we put in earlier, and because we selected "different first page". All of them are considered "first pages", and thus the changes we made to the headers didn't affect them.

But have a look at Chapter Two.

It still has a header, because we haven't made it a first page yet by adding a "next page" break before it.

Depending on how you moved Chapter Two to the next page originally (if you hit Enter a bunch of times or if you used a page break), you will have to undo that. Just click your cursor right in front of Chapter Two and hit Backspace until you reach the last period/full stop of the last chapter.

Now enter your "next page" break and Chapter Two will move to the next page and be recognised as a "first page" without a header or page number.

When doing your final copy, you should repeat this Chapter Two process with any other chapters that have headers where they shouldn't. Also, if you want any back matter, you'll be able to simply keep hitting "next page".
______________________________

Ignore the font choice, font size, and line spacing of the prose for now. We'll get to that next time. You've just solved the most brain-wracking puzzle of the budget formatter!

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Print Preview: Formatting for CreateSpace 1. Page Size and Margins

(Note: This walkthrough will be done in Word 2007 only. If you have another version, you may be able to find the corresponding menus and still follow these steps.)

Page Size

1. Go here to see a list of page sizes available for CreateSpace and choose one. (You might want to take a ruler and see how these compare with the books on your shelf.)
2. Open your Word Document and save it as [Title] - Formatted or whatever you wish. (Always keep this document separate from your manuscript.)

Your page should look like this:


3. Open the "Page Layout" menu.
4. Under "Size", select "More Paper Sizes".


5. Enter your desired paper size, chosen from the list back in step 1. (My Australian system defaults to cm, so I just type in "[x] in" and the system automatically changes the length (in) to the cm equivalent.)
I've chosen the 5x8 inches option.


It should now look like this:



Margins

1. Go here and read the useful information about margins. From the table on the right of that page, select the best margin for your book. (Since my book is more than 151 pages and less than 400, I'll be using ".75 in" margins all around, just to keep it simple.)
2. Select "Page Layout" > "Margins" > "Custom Margins"






If later on you find you don't like how the margins look with the text, you can change them. Try to keep within Amazon's specifications, though.
____________________

The next post will involve front matter and section breaks.

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Print Preview: Formatting for CreateSpace A Step-by-Step Guide

The aim with this series of posts will be to provide you all with a step-by-step guide for how to get from this:


to something like this:


I used this as a guide, but it took a lot of fiddling around to work it out. Go ahead and jump straight into Jenyfer Matthews's guide if you want to get into the nitty gritty right now. Otherwise, I'll be showing you the step-by-step process I followed that resulted in the above.

The series will include:
- Margins

- Front matter
- Section breaks
- Page numbers
- Headers
- Font choice
- Dropped caps

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Habitual November: Day 8

I've been gone for a while. From this blog, I mean. Yes, I've had some trouble writing the last few days. Five, to be exact. I should have jumped back on the ball after the first day I missed, but I kept getting distracted. Not by anything important, just stuff that's easier than writing.

"I hate writing. I love having written." -- Dorothy Parker

While I do love the actual construction of sentences and all that micro stuff, it is an intense and generally slow-going process for me, and it's certainly not easy.

Today I wanted to make up for the days I've missed. I'm sure it's okay to do this once in a while, but I don't want to get into the habit of writing big chunks sporadically. That's just not productive for me.

For this next bit I'll let the graph do the talking.


What was one of the things I did instead of writing?


I also made one of the pieces for my Aundes Aura sountrack available here at Amazon for 89c.

But enough of that. I wrote nearly 600 words today and I intend to write another 200+ tomorrow. I'm so close to the benchmark!
_____________________________

Expect some posts on formatting your print book for CreateSpace in the next week or two under the heading Print Preview.

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Habitual November: Day 3

When school returned for the last half of October, I lost it. Writing fell to the wayside once more. School's tiring, and it always seems to have this effect on me. Well, not anymore. You know why?

NO MORE SCHOOL.

I'll savour this feeling while it lasts. I have a few exams left, but they're nothing.

This couldn't have come at a better time for my writing. I'm on the cusp of hitting 60,000 words, which I've now decided is my bare minimum goal. I'm really shooting for the end now. It's not exactly in sight; I have many grand events clouding the way. But those events are clear to me. The path is laid out and now I just have to follow it.

The beginning of each new month repeatedly gives me new resolve. I consciously think: it's the 1st tomorrow -- I can start writing again! I don't know why this makes it easier, but at least I can rely on it. The only catch is that I need to make the effort.

The writing's going well so far. I've written all three days. I could show the graph but I'll just tell you, I'm above the line.

Good luck and good speed to all the NoNoers. The least I can do to support you is to attack my own measley daily goals.

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Welcome to The Dark Corner of the Mind. My name is Ryan Sullivan and my aim with this blog is to help others with their own writing, as well as to make note of some of my own writing endeavours.

Here at The Dark Corner, Real Life is both our best friend and our worst enemy. Look to him for inspiration, but don't let him get in the way too much.

If he does, bribe him with cookies.

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